part three

Feb. 17th, 2014 09:03 pm
miss_philomena: (black and gold)
[personal profile] miss_philomena
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 Bodice mockup! I dug out some really random Joann's red tag cotton I have several yards of for reasons unknown, and cut pieces on whichever grainline they fit, which is why the sleeves aren't cut cross. The bodice fits perfectly! I tied my petticoats a little loose by accident, which is why there's a little bit of gaping at the waistline.

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The sleeves, on the other hand, are a little too tight, and managed to be too long as well. To double check the length I just opened part of the seam to get the sleeve on, which is why it looks baggy here. The point of the dart wound up sitting well below my elbow. So I will redraft the sleeve with about 3/4" of an inch extra in width, and about two inches shorter above the elbow. The sleeve cap and below the elbow are fine, so I'll just make the angle down to the elbow a little less extreme.

Next I'm going to do the petticoat and gown skirts before bouncing back up to the bodice. The pleats will be the last step. The Denmark piemontaise appears to show the pleats are sewn at the shoulder. One of the piemontaises in the Imatex collection, on the other hand, clearly shows hooks and eyes where the pleats attach at the shoulder. I'm actually leaning more towards this kind of construction, because when I'm not wearing the robe, as will be the case 99.9% of the time, being able to detach the pleats from the shoulder will keep them from pulling the skirt and lower bodice up while being stored. And lends more weight to my belief that the pleats are sewn to the skirt below the waist. Why else would the top need to be detachable like this, if it was only a cape-like piece? Also, if you look at the outer pleats in the second picture, you can see where the edge rolls in, where to me it appears to connect back to the skirt below the waist.

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Click on these for very lovely hi-res shots, with the hooks and eyes clearly visible at the top of the pleats!

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