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In other words, current and soon to be started projects, in no particular order. *Warning, this post is image heavy.*

While I don't claim to be a great knitter (I can't do *rather, haven't tried* more complicated stuff), one of my absolute favorite things are the beaded knit purses you occasionally see. I have a couple, bought at an antique fashion etc auction that I can't remember the dates for, done with gorgeous steel beads. Steel beads are no longer manufactured, or if they are, I haven't been able to find them, so I have to compromise and use glass beads. Fire Mountain Gems actually carries steel colored glass beads, which look damn near prefect, but I haven't gotten around to ordering more from them yet. Anyway, enough babble. This is one of three purses I'm working on at the moment. )

And on to the sewing.

I had some fun on Ebay the other day and ended up picking up three saris. One of them will probably wind up being made into an 1880s bustle dress. I have a book with a plate I like, I just can't find it at the moment. If (and this is a very big if) I can make it work, the other might wind up a late Regency style. It really just depends on if it's long enough on the crossgrain to use for the skirt.
It will be one of these two, and I think I'm leaning more toward the green one for the Victorian dress. )

The third sari I bought, which is an absolutely gorgeous blue brocade, will be put aside for some future use. )

On my 1872 Watteau outfit: I've done a bit more of the pattern, but I still haven't gotten around to the back and side back pieces. Perhaps Sunday or Monday, since I have the house to myself for a week, and the cats certainly won't care if I move the kitchen table. Anyway, I snapped a pic of the fabric I'm planning on using. )

Next up: 1874 evening gown (on the left): Nothing really to say, as I don't have the lace yet for the skirt, and haven't done more than cut out the bodice. Here's the beautiful light blue/white shot silk I'm using for it, though. I think I'm going to look for a satin ribbon to match it for the swags and bows. Don't know what I'm going to do about the fringe yet. I might just go with lace.

And into the the 18th century: I've loved the 1775-85 Caraco in Patterns of Fashion since the first time I saw it. And I've had this silk/cotton brocade sitting around waiting to be used for years, so it really seems like a match made in heaven. )

And I think that's enough babble from me today. And on a completely random note, I need more icons.

ETA: I've also got a Regency getup mostly done for one of my BJDs, so once I get around to sewing the closures and whatnot on, I'll put up pictures of that as well.

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Redrafting the pattern for my 1872 Watteau polonaise has been put on hold due to a lack of space. If I were inclined to move my very large and heavy kitchen table, I'd have enough room there to draft up the long parts, but that requires moving a large and heavy table. I think I'll just wait until Wednesday evening, when my neighborhood civic society has the monthly meeting in the local church basement. Plenty of space there. I'm also 75% decided on fabric for that. Since only the polonaise is cut out of the print, and all of the ruffles and skirt are made from the solid, I should be fine with 7 yards. It'll just depend on how wide the side back and center back pieces end up.

Because I can't work on just one project at once, I've got the bodice for an 1874 evening gown cut out, and need to work on that some. Not much else to say at this point, other than I need to scan in the plate I'm using as inspiration for that.

Only two projects at once? Are you kidding? I can't leave well enough alone, and have started on an 18th century project as well. I've pulled out fabric and traced off the pattern, and at some point soon I'll start on a set of stays. This set caught my eye, mainly because of the decorative lacing up the front, and what appears to be wavy cording. I can't consider the lacing functional, anyway, because it doesn't lace all the way down, and it doesn't look like it meant to be opened there either. "Fitting and Proper" also features a set of stays that has that bit of lacing at the front, and the angled boning. The McCord Museum's stays simply seem a more elaborate version of those. Anyway, I plan to use some hunter green cotton satteen I dug out as the face fabric, and will have to keep an eye out for a nice ivory cotton or linen tape for the binding before class next week. If I take an earlier train I should have more than enough time to run over to M&J first.

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December 2018

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